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Contratado como desenhista da Expedição Langsdorff, Johann Moritz Rugendas veio ao Brasil pela primeira vez em 1821. Entretanto, as constantes brigas com Langsdorff, chefe da missão, fizeram com que o artista abandonasse o grupo e trilhasse seus próprios caminhos nas terras brasileiras. 

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Maior empreendimento do Rio de Janeiro no século XVII, o Mosteiro de São Bento, assim como outras edificações da época, foi instalado no topo de um morro com o objetivo de delimitar e defender o território. Apesar de hoje ter perdido destaque na paisagem carioca, por conta do crescimento da cidade, o prédio ainda chama a atenção pelas características arquitetônicas originais e marcantes para a história da arte.

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Referência dos índios tupinambás mesmo antes da chegada dos europeus ao Brasil, o Outeiro da Glória foi um dos principais pontos de observação dos artistas no Rio de Janeiro oitocentista.

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Johann Moritz Rugendas (Augsburg, Alemanha 1802 - Weilheim, Alemanha 1858). Pintor, desenhista, gravador. Desde criança, exercita o desenho e a gravura com o pai Johann Lorenz Rugendas II (1775-1826). Freqüenta o ateliê de Albrecht Adam (1786-1862), de 1815 até 1817, quando ingressa na Academia de Belas Artes de Munique. Incentivado pelos relatos de viagem dos naturalistas J. B. von Spix (1781-1826) e C. Fr. Ph. de Martius (1794-1868) e pela obra de Thomas Ender (1793 - 1875), vem para o Brasil em 1821, como desenhista documentarista da Expedição Langsdorff. [...]

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Vue de Rio-Janeiro prise près de l’Eglise de Notre-Dame de la Gloire

Título Alternativo

Vista do Rio de Janeiro tomada nas proximidades da Igreja da Glória

Data de Publicação
1827-1835
Título
Vue de Rio-Janeiro prise près de l’Eglise de Notre-Dame de la Gloire
Título Alternativo
Vista do Rio de Janeiro tomada nas proximidades da Igreja da Glória
Parte de
Viagem pitoresca através do Brasil
Casa Impressora
Local de Produção
Europa - França - Ilha de França - Montmartre
Data de Publicação
1827-1835
Técnica
litografia e aquarela sobre papel (China collé)
Dimensões do suporte
34,0 x 53,1 cm
Tipo de Obra
Assunto
Paisagem - Urbana
Escravidão
Cena de costumes
Local Retratado
Região Sudeste - Rio de Janeiro
Acervo
Acervo de Iconografia / Instituto Moreira Salles
Identificação
5